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Pentatwist knot, five-twist knot
Arf invariant	1
Braid length	9
Braid no.	4
Bridge no.	2
Crosscap no.	2
Crossing no.	7
Genus	1
Hyperbolic volume	2.82812
Stick no.	9
Unknotting no.	1
Conway notation	[52]
A–B notation	72
Dowker notation	4, 8, 12, 14, 2, 6, 10
Last / Next	71 / 73
Other
alternating, prime, reversible

In knot theory, the Pentatwist knot, also known as the five-twist knot, or the 7₂, is one of seven prime knots with crossing number seven. It is the fifth twist knot.

Its Alexander polynomial is

${\displaystyle \Delta (t)=3t-5+3t^{-1},\,}$

its Conway polynomial is

${\displaystyle \nabla (z)=3z^{2}+1,\,}$

and its Jones polynomial is

${\displaystyle V(q)=-q^{-8}+q^{-7}-q^{-6}+2q^{-5}-2q^{-4}+2q^{-3}-q^{-2}+q^{-1}.\,}$^[1]

A marudai (丸台, lit. ‘round stand‘) is the most common of the traditional frames used for making kumihimo, a type of Japanese braid.^[1]

The marudai is generally made of a close-grained wood and consists of a round disk (kagami or “mirror”)^[1] with a hole in the center, supported by four legs set in a base. The Japanese style marudai is often about 16 in (41 cm) high and is used while kneeling or when placed on a table. The Western style 26 in (66 cm) marudai allows the braider to sit in a chair to braid.

The warp threads that form the braid are wound around weighted bobbins called tama (lit. ‘egg‘).^[1] Tama were once made of clay, but now are most commonly wood filled with lead. The weight of the tama maintains even tension on the warp threads, and is balanced by a bag of counterweights called omori^[1] that is attached to the base of the braid.

Modern braiders often replace the marudai with a foam disk with numbered slots that tightly grip the warp threads to maintain warp tension, so that weighted bobbins are not needed; instead, flexible plastic bobbins are used to prevent tangling of the threads. Unlike kumihimo disks, marudai have no indication of where the thread should be placed; it is done freehand.

• Kagami – “Mirror”, the polished wooden top disk of the marudai.^[1]
• Kongō Gumi – a class of patterns for round cord all involving eight threads folded in half for a total of sixteen strands. In clockwise order, each bobbins is moved to the opposite side. When different combinations of thread color are used, many interesting patterns emerge, including diagonal stripes, diamonds on a background, triangles resembling hearts, and tiny six-petalled flowers. Kongō Gumi is named for the venerable Kongō Gumi company of Japan, the oldest known company in the world.
• Kumihimo or kumi himo – Japanese for “gathered threads”.
• Obi – the broad cloth sash worn with kimono; kumihimo braids are often used as obijime, worn on top of the obi.
• Obijime – the cord used to fasten the obi securely in some obi styles. Usually one string of kumihimo is tied around the obi securely, and an accessory called the obidome is often added in front for decoration.
• Omori – Counterweights used in kumihimo braiding.^[1]
• Takadai – a rectangular or square frame for kumihimo.
• Tama – little spools. The thread is kept from unwinding by passing the thread under itself, forming a loop around the tama.
• True silk – a hollow fiber with a rough surface that resists slipping past the loop unless gently pulled. For synthetic fibers, a flexible plastic “clamshell” bobbin may be preferable.

• Yamaoka, Kazuharu Issei. (1975) Domyo no kimihimo : marudai, yotsu-uchidai [Domyo style kumihimo]. Tokyo : Shufunotomo Publication (Handicraft series). OCLC 703820275, JPNO 75076336 (in Japanese)
• Kyōto Kimono Gakuin. (1979) A Step to kimono and kumihimo. Pasadena, Calif: International College of California. OCLC 5658813.
• Carey, Jacqui. (1994) Creative Kumihimo. Torquay: Devonshire Press. ISBN 0952322501, 9780952322504, OCLC 888120089.
• Tada, Makiko. (1996) Andesu No Kumihimo: Kādo to Marudai. [Andean sling braids]. (Kumihimo sōran series, 2) Hino : Tekusuto. 2nd ed., (in Japanese) with some English. ISBN 4925252127, 9784925252126, OCLC 977659717 .
• Carey, Jacqui. (1997) The Craft of Kumihimo. New York: Midpoint Trade Books, In. ISBN 9780855328283, 0855328282, OCLC 903504434.
• Carey, Jacqui. (1997) Beginner’s Guide to Braiding, the Craft of Kumihimo. Tunbridge Wells : Search Press. ISBN 0855328282, 9780855328283, OCLC 472775122
• Tada, Makiko (2008). Tada Makiko Kumihimo-ten : dento no bi to sentan gijutsu [Makiko Tada kumihimo show : traditional beauty and the latest technics]. Naruse Memorial Hall (ed). Tokyo : Japan Women’s College (Tsukuru series 5). NCID BB19346894. (in Japanese)
• Sakai, Aiko; Tada, Makiko. E o mite wakaru kumihimo : Tanoshiku dekiru marudai kakudai ayadake-dai [Visual guide to kumihimo : practice on marudai, kakudai, and ayadake-dai with fun], Japan Vogue, OCLC 676423318. (in Japanese)
• Owen, Rodrick. (1995) Braids: 250 Patterns from Japan, Peru & Beyond. Loveland, Colo. : Interweave Press, ISBN 1883010063, 9781883010065, OCLC 31754981. Softcover ed., Berkeley, CA : Lacis, 2004. OCLC 79431006
• Tada, Makiko. (April 2014) Marudai braids 120.(Comprehensive treatise of braids 1), 3rd ed., Hino  : Tekusuto. (in Japanese) with some English. OCLC 676423383
• Chottikampon K.; Mathurosemontri S.; Marui H.; Sirisuwan P.; Inoda M., et al. (2015) Comparison of braiding skills between expert and non-experts by eye’s movement measurement. Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics) 9184 (2015): 14-23 ISSN 0302-9743, OCLC 5932476964
• Tada, Makiko. (2017). Utsukushii kumihimo to komono no reshipi: marudai de tsukuru honkakuteki na kumihimo o mijika na dōgu de yasashiku kawaiku. [Beautiful kumihimo recipes for marudai you braid with everyday tools, fun and pretty] Tōkyō : Nihon Bungeisha. ISBN 9784537214901, 4537214902, OCLC 995846156. (in Japanese)

74
Arf invariant	0
Braid length	9
Braid no.	4
Bridge no.	2
Crosscap no.	3
Crossing no.	7
Genus	1
Hyperbolic volume	5.13794
Stick no.	9
Unknotting no.	2
Conway notation	[313]
A–B notation	74
Dowker notation	6, 10, 12, 14, 4, 2, 8
Last / Next	73 / 75
Other
alternating, hyperbolic, prime, reversible, tricolorable

In mathematical knot theory, 7₄ is the name of a 7-crossing knot which can be visually depicted in a highly-symmetric form, and so appears in the symbolism and/or artistic ornamentation of various cultures.

The interlaced version of the simplest form of the Endless knot symbol of Buddhism is topologically equivalent to the 7₄ knot (though it appears to have nine crossings), as is the interlaced version of the unicursal hexagram of occultism.^[1] (However, the endless knot symbol has more complex forms not equivalent to 7₄, and both the endless knot and unicursal hexagram can appear in non-interlaced versions, in which case they are not knots at all.)

The 7₄ knot is a Lissajous knot, representable for example by the parametric equation^[2]

${\displaystyle {\begin{aligned}x&=\cos(2t+0.22)\\y&=\cos(3t+1.10)\\z&=\cos 7t\end{aligned}}}$

• 
  One form of the Endless knot of Buddhism
• 
  Interwoven unicursal hexagram.
• 
  7₄ knot in Celtic artistic form, also found in some Hausa embroideries.^[3]
• 
  A 7₄ knot combined with the Syrian flag is used as a logo by the National Coordination Committee for Democratic Change.

Marlinespike hitch
Names	Marlinespike hitch, marlingspike hitch, boat knot
Category	Hitch
Related	Overhand slip knot, stein knot
Releasing	Non-jamming
Typical use	Pulling heavily on rope or twine, historically used by sailors
Caveat	Intended as temporary hitch; not stable unless loaded
ABoK	#559, #1186, #1789, #1880, #2030, #7, #43

The marlinespike hitch is a temporary knot used to attach a rod to a rope in order to form a handle.^[1] This allows more tension than could be produced comfortably by gripping the rope with the hands alone. It is useful when tightening knots and for other purposes in ropework.

As the name suggests, the type of rod traditionally used with this hitch is a marlinespike. The advantages of this hitch over others which might serve the purpose are its quickness of tying and ease of releasing. Topologically it is a form of the noose, but in practice this hitch is not allowed to collapse into that shape. When it does capsize into a traditional noose, it can jam against the rod, making it much more difficult to release.^[2]

The hitch is frequently used by hammock campers to attach adjustable rope slings (“whoopie slings”) to the webbing straps that are used to attach hammocks to trees.

By passing the working end through the marlinespike hitch, this knot can be used as an alternative method of tying the Bowline knot. Passing through in the opposite direction will give you the Cowboy bowline (also known as the left-hand bowline, Dutch marine bowline or winter bowline).

Below is a basic method of tying. The knot can also be made by using the rod itself to form the loop, but the tying method does not affect the performance of the resulting hitch.

Begin with an overhand loop, that is, a loop in which the working part passes over the standing part:

Fold the loop over the working part, towards the standing part such that the standing part is visible through the center of the loop:

In stiffer material the first two steps can be accomplished in a single motion by twisting the working part with the fingers until a loop forms and flops over the standing part.

Use the rod to snag a bight of the standing part through the loop, that is, pass the rod over the near side of the loop, under the standing part and then over the far side of the loop:

Before tensioning, excess slack can be removed by pulling simultaneously on both the working and standing parts:

In actual use the hitch should be loaded only from the standing side.

• Marlinespike seamanship

71 knot
Arf invariant	0
Braid length	7
Braid no.	2
Bridge no.	2
Crosscap no.	1
Crossing no.	7
Genus	3
Hyperbolic volume	0
Stick no.	9
Unknotting no.	3
Conway notation	[7]
A–B notation	71
Dowker notation	8, 10, 12, 14, 2, 4, 6
Last / Next	63 / 72
Other
alternating, torus, fibered, prime, reversible

In knot theory, the 7₁ knot, also known as the septoil knot, the septafoil knot, or the (7, 2)-torus knot, is one of seven prime knots with crossing number seven. It is the simplest torus knot after the trefoil and cinquefoil. This knot is used to construct the simplest counterexample to the conjecture that the unknotting number is additive under connected sum.^[1][2]

The 7₁ knot is invertible but not amphichiral. Its Alexander polynomial is

${\displaystyle \Delta (t)=t^{3}-t^{2}+t-1+t^{-1}-t^{-2}+t^{-3},\,}$

its Conway polynomial is

${\displaystyle \nabla (z)=z^{6}+5z^{4}+6z^{2}+1,\,}$

and its Jones polynomial is

${\displaystyle V(q)=q^{-3}+q^{-5}-q^{-6}+q^{-7}-q^{-8}+q^{-9}-q^{-10}.\,}$^[3]

• Heptagram

63 knot
Arf invariant	1
Braid length	6
Braid no.	3
Bridge no.	2
Crosscap no.	3
Crossing no.	6
Genus	2
Hyperbolic volume	5.69302
Stick no.	8
Unknotting no.	1
Conway notation	[2112]
A–B notation	63
Dowker notation	4, 8, 10, 2, 12, 6
Last / Next	62 / 71
Other
alternating, hyperbolic, fibered, prime, fully amphichiral

In knot theory, the 6₃ knot is one of three prime knots with crossing number six, the others being the stevedore knot and the 6₂ knot. It is alternating, hyperbolic, and fully amphichiral.
It can be written as the braid word

${\displaystyle \sigma _{1}^{-1}\sigma _{2}^{2}\sigma _{1}^{-2}\sigma _{2}.\,}$^[1]

Like the figure-eight knot, the 6₃ knot is fully amphichiral. This means that the 6₃ knot is amphichiral,^[2] meaning that it is indistinguishable from its own mirror image. In addition, it is also invertible, meaning that orienting the curve in either direction yields the same oriented knot.

The Alexander polynomial of the 6₃ knot is

${\displaystyle \Delta (t)=t^{2}-3t+5-3t^{-1}+t^{-2},\,}$

Conway polynomial is

${\displaystyle \nabla (z)=z^{4}+z^{2}+1,\,}$

Jones polynomial is

${\displaystyle V(q)=-q^{3}+2q^{2}-2q+3-2q^{-1}+2q^{-2}-q^{-3},\,}$

and the Kauffman polynomial is

${\displaystyle L(a,z)=az^{5}+z^{5}a^{-1}+2a^{2}z^{4}+2z^{4}a^{-2}+4z^{4}+a^{3}z^{3}+az^{3}+z^{3}a^{-1}+z^{3}a^{-3}-3a^{2}z^{2}-3z^{2}a^{-2}-6z^{2}-a^{3}z-2az-2za^{-1}-za^{}-3+a^{2}+a^{-2}+3.\,}$ ^[3]

The 6₃ knot is a hyperbolic knot, with its complement having a volume of approximately 5.69302.

62 knot
Arf invariant	1
Braid length	6
Braid no.	3
Bridge no.	2
Crosscap no.	2
Crossing no.	6
Genus	2
Hyperbolic volume	4.40083
Stick no.	8
Unknotting no.	1
Conway notation	[312]
A–B notation	62
Dowker notation	4, 8, 10, 12, 2, 6
Last / Next	61 / 63
Other
alternating, hyperbolic, fibered, prime, reversible

In knot theory, the 6₂ knot is one of three prime knots with crossing number six, the others being the stevedore knot and the 6₃ knot. This knot is sometimes referred to as the Miller Institute knot,^[1] because it appears in the logo^[2] of the Miller Institute for Basic Research in Science at the University of California, Berkeley.

The 6₂ knot is invertible but not amphichiral. Its Alexander polynomial is

${\displaystyle \Delta (t)=-t^{2}+3t-3+3t^{-1}-t^{-2},\,}$

its Conway polynomial is

${\displaystyle \nabla (z)=-z^{4}-z^{2}+1,\,}$

and its Jones polynomial is

${\displaystyle V(q)=q-1+2q^{-1}-2q^{-2}+2q^{-3}-2q^{-4}+q^{-5}.\,}$^[3]

The 6₂ knot is a hyperbolic knot, with its complement having a volume of approximately 4.40083.

• 
  Surface of knot 6.2

Ways to assemble of knot 6.2

• Example 1
• Example 2

If a bowline is tied and the two free ends of the rope are brought together in the simplest way, the knot obtained is the 6₂ knot. The sequence of necessary moves are depicted here:

• 
  From a bowline (ends connected) to the 6₂ knot

The magnus hitch is a knot similar to a rolling hitch or clove hitch, used to tie a rope or line to a pole, spar, or another line. It is tied similarly to a rolling hitch but with the final hitch in the opposite direction. It can be more tricky to snug up, since both lines emerge from the same side of the hitch, but it has less tendency to twist under load.

To tie a magnus hitch:

1. Start with a turn around the object. Bring the working end towards the direction of pull and between the standing part and the object.
2. Make another wrap around the object, completing a round turn. The wraps of the round turn should progress towards the desired direction of pull. Bring the working end out over the standing part away from the direction of pull.
3. Complete with a half hitch, moving around the object in the opposite direction as the first turns, as for a cow hitch.
4. Dress by snugging the hitch around the object before applying load, away from the tail of the hitch.

• List of knots
• Taut-line hitch

• Ashley, Clifford Warren (1944), “#1736. Magnus Hitch”, The Ashley Book of Knots, Mariners’ Museum Publications, vol. 13, Random House, p. 298, ISBN 9780385040259 {{citation}}: ISBN / Date incompatibility (help).
• Blandford, Percy W. (2012), Practical Knots and Ropework, Courier Dover Publications, pp. 150–151, ISBN 9780486148656.
• Leeming, Joseph (1940), Fun with String: A Collection of String Games, Useful Braiding & Weaving, Knot Work & Magic with String and Rope, Dover Children’s Activity Books, Courier Dover Publications, p. 35, ISBN 9780486230634 {{citation}}: ISBN / Date incompatibility (help).

Lào zi
Lào or tāo (knotted ribbons) used as a form of Hanfu accessories; it is tied at the waist belt of a ruqun
Chinese name
Traditional Chinese	絡子
Simplified Chinese	络子
Transcriptions Standard Mandarin Hanyu Pinyin Làozi
Tāo zi
Chinese	绦子
Transcriptions Standard Mandarin Hanyu Pinyin Tāozi
English name
English	Chinese knotting

Lào zi (simplified Chinese: 络子; traditional Chinese: 絡子), also called Tāo zi (绦子), is an ancient name for knots in China.^[1] In ancient Chinese literature, the Lào zi actually refers to what is now known as zhongguo jie (simplified Chinese: 中国结; traditional Chinese: 中國結; Hanyu Pinyin: zhōngguó jié; Tongyong Pinyin: li; lit. ‘Chinese knots‘) in Chinese and Chinese knotting in English. The term Chinese knotting only became known in recent years when it was summarized by Lydia Chen in the 1980s.^[2] It was a tradition to use the lào and/or tāo as a form of yaopei (“waist girdle ornament”) in Hanfu where it was tied to the waist by using silk or cotton ribbon.^[1]

The meaning of the two terms Lào zi and Tāo zi are quite similar.

The Chinese character for lào (络; 絡) refers to knotting, enmeshing, and wrapping.^[3] The Chinese character for tāo (绦) refers to the lace or flat ribbon woven from silk thread which can used to decorate clothing.^[4]

According to Dream of the Red Chamber, making Lào zi means making knots that can be used on waist as knotting belt; the Lào zi could also be as decorative knots with tassel hanging for small object or furnishing (similar to the norigae used in the hanbok). As a form of knot-craft, it could be used to knot a net sachet for containing small objects.^[5]

The knot at the waist by ribbon can be seen from many artworks especially in the beauty painting, and ancient literature description recorded that the tradition of knot ribbon can be traced back to the Spring and Autumn period (770 – 76 BCE); for example, in the chapter Zhaogong (昭公) of the Zuo Zhuan (左傳), the tradition of tying ribbon as knots to the belt is recorded.^[6]

• Chinese knotting
• Frog (fastening) – a fastener which originated from China and is now typically used in cheongsam
• Hanfu accessories
• Hanfu